Written by Michael McGriff
Copper Canyon Press, 2012
Home Burial (Copper Canyon Press, 2012) exposes the Pacific Northwest poet Michael McGriff knows inside out with a stunning forensic lyricism. His knowledge of the backwoods, the quarries, the bay “shaped like a rabbit / hanging limp / from the jaws of the landscape” is downright chthonic, haunted by spirits of place, the departed, and the old junkers they left behind. His poems track movement shapeshifting through his rural routes/roots, personifying Midwinter as a woman who “lets the darkness / sit down beside her” here, pointing to glimpses of reeds–or is it human hair– waving from the bottom of the pond in another abandoned wreck there. His unflinching reports are detailed with a poetic grace that does not betray the bleak realities of life, as, say, a four-legged predator, an obese dead man removed by a crane through a shattered chimney, his grandfather’s will found on the back of an invoice in the shed, a woman about to die on the job at the mill.
McGriff presents the hardscrabble vignettes in forms as natural as weather, in language at once harsh and beautiful, shitkicking and prayerful, but never off pitch. This, his second full-length collection, is a Lannan Literary Selection. In its thirty-one poems, the poet’s response to the natural world and the ultimate fragility of all its inhabitants hardened by necessity ties these cautionary tales, remembrances and elegies together like #50 Heavy Cougar Genuine Leather Logger Laces. Imagining McGriff creating his poetry in the tough guy settings of his titles: the break room, the Oyster Bar, or sitting – like Midwinter – at the kitchen table, is grainy, cinematic. Anyone who knows this heartbreaking country knows Home Burial nails it; anyone unfamiliar is shown its beating heart, the lay of the land, and what lies beneath.