James R. Gapinski’s chapbook-length collection, Messiah Tortoise, will be published by Red Bird Chapbooks later this year. The collection features 10 flashes and stories, each set in the same ficticious zoo.
We’ve printed up some limited-edition postcards of Jessica Roeder’s “Birth” for the 2017 AWP Conference in Washington, DC. “Birth” first appeared in The Conium Review: Vol. 5. Get one of these at The Conium Review‘s table (#548-T) or at the NewPages booth (#462).
We don’t expect these to last long! If you’re in Washington, DC for the conference, be sure to stop by before they run out.
Matt Bell has selected Emily Koon‘s We Are Still Here as the 2016 Conium Press Book & Chapbook Contest winner!
Yes, Emily Koon. The same Emily Koon who won our Innovative Short Fiction Contest in 2015, judged by Amelia Gray. As always, the judging process was 100% blind, and Matt Bell was instructed to recuse himself if he could identify the author. We’re surprised that her work anonymously bubbled to the top twice — but then again, not too surprised — she’s just a damn good writer.
The stories in We Are Still Here are an eclectic mix including fairy tales, ghosts, Lizzie Borden, and people living in a Sears. In the title story, a family visiting an amusement park flees after a fatal roller coaster accident, only to find the real horror is on the chairlifts. In “The People Who Live in the Sears,” a group of people who find the real world too painful to function in make new lives in their local Sears department store. In “The Ghosts of St. Louis,” two teenagers living in a futuristic North America attempt to make sense of a world marred by climate change. Characters in these stories wrestle with questions of death, loneliness, abandonment, and their capacity to love, be loved, and inflict pain on others.
Emily Koon is a fiction writer from North Carolina. She has work in Potomac Review, The Rumpus, The Conium Review, Portland Review, and other places. She can be found at twitter.com/thebookdress.
Emily’s manuscript will be published by Conium Press, and she will receive $1,000, ten author copies, and a copy of the judge’s latest book.
This year’s finalists are Tori Bond, Samantha Duncan, Claire Hopple, and Rachel Luria.
We’re grateful to all the authors who submitted, and we hope you’ll join us in congratulating Emily, singing her praise on social media, and buying/reading her kickass book when it hits shelves. We expect to release Emily’s collection in late 2017 or early 2018.
It’s nomination time again! We recently sent out nods for the annual Queens Ferry Press Best Small Fictions anthology. We also nominated for the Eric Hoffer Award and the Independent Publisher Book Awards.
The nomination process is always difficult — we published so many amazing pieces in 2016 — but eventually we narrowed it down. We’re pleased to share our picks for this year, and we hope you’ll reread a few of these favorites (and check out other work from these authors).
Best Small Fictions anthology nominations:
- Ashley Hutson, for “The Hen of God,” published in The Conium Review Online Compendium (online).
- Matt Tompkins, for “Souvenirs,” published in Souvenirs and Other Stories (print).
- Jessica Roeder, for “Birth,” published in The Conium Review: Vol. 5 (print)
- Shane Jones, for “Gazebo,” published The Conium Review: Vol. 5 (print)
- Jasmine Sawers, for “Tiny Little Goat,” published in The Conium Review: Vol. 5 (print).
Eric Hoffer Book Award nominations:
Independent Publisher Book Award nomination:
- Girl & Flame, by Melissa Reddish.
Typically, we release our gender ratio statistics around the same time as the official VIDA count. However, we wanted to tally the numbers before the AWP Conference in Washington, DC. There’s also the small matter of today’s inauguration, wherein a serial misogynist was sworn into the nation’s highest office. It seems like a good time to remind the literary community that there are still places where women’s voices can be heard, even if those places seem increasingly under attack.
The Conium Review: Vol. 5 featured a larger percentage of women than any previous print issue of The Conium Review, and our combined print and online count held steady at 76% self-identified female authors. For those who haven’t read The Conium Review: Vol. 5 yet, there is also a distinct feminist undercurrent in many of the pieces, even more noticeably than the average issue of The Conium Review. This wasn’t a reactionary plan of any sort (the issue was finalized before the November election results). In the simplest terms, this is just where our editorial aesthetic leans — toward fiery voices that refuse to be marginalized. Given the events of today, I’m glad to see our press putting out a lit mag with stories in this vein. It seems necessary in this social climate. Keep writing. Keep submitting. Keep reading. Stay strong.
(And as always, we’d like it if you’re writing something a bit weird/surreal/bizarre too).
The Conium Review 2016 “Count”
Female (Total Print & Online)
Male (Total Print & Online)
Okay, now let’s break it all down. Our 2016 count is 76% female and 24% male. The previous year’s overall count was identical at 76% female to 24% male. The 2014 gender ratio was 64% female and 36% male.
Throughout the entire year, The Conium Review published 29 authors total, with 22 self-identified female authors and 7 self-identified male authors.
In the annual print edition, we published 9 self-identified female authors and 1 self-identified male author, for a ratio of 90% women and 10% men. Within our online arm, The Conium Review Online Compendium, we published 19 authors total, with 13 female authors and 6 male authors, with a ratio of 68% women to 32% men.
Throughout most of 2016, the editorial masthead contained 10 people, 7 of whom self-identify as female, 3 of whom self-identify as male, for a behind-the-scenes ratio of 70% women and 30% men.
Historically, we’ve tallied out “count” only for The Conium Review as a periodical. However, we launched a few books in 2016 through Conium Press. These authors are not reflected in our overall count, but the numbers don’t change much either way. We’re a boutique press with only a couple titles each year. Of the two books published this year, one was written by a self-identified female and one was written by a self-identified male. We also released two limited-run micro-chapbooks, again with a ratio of one woman and one man. If you add these Conium Press numbers to our tally, it becomes 33 authors total — with 24 women and 9 men — for a total ratio of 73% women and 27% men. Whether you crunch the numbers as 76% or 73%, we still think it’s a damn good gender ratio. With the excessive number of magazines that seem to propagate the same male voices over and over and over and over again, we’re glad to offer a counterbalance — even if it’s only partial counterbalance. Especially on today of all days.
The Conium Review is reading for Volume 6 between January 1st, 2017 and April 1st, 2017! We like strange stories, inventive language, bizarre characters, and innovative conceits. Show us what you got.
Past contributors include Shane Jones (author of The Crystal Eaters, Light Boxes, and Daniel Fights a Hurricane), Maryse Meijer (author of Heartbreakers), and Zach Powers (author of Gravity Changes). We’ve also published many emerging writers, including some first-time authors. In the end, we don’t care what your CV says; we just wanna see something good on the page.
Work published in The Conium Review has been featured in the Best Small Fictions anthology, the Plougshares “Best Short Story” column, the Wigleaf Top 50 long-list, and elsewhere. Full guidelines are found here.
All submissions should go through our Submittable page (e-mailed submissions will be deleted unread).