We’re hosting multiple events in Portland, OR for AWP. It’s our home base, so why not? This will be an AWP to remember. Books & Brass kicks things off on March 28th, and we’re excited for our Literary Masquerade on Friday, March 29th at 7:00pm.
This event takes place at the Beech Street Parlor, located at 412 NE Beech St. This restored Victorian is decked out with vintage furniture, decorative wallpaper, and antique fixtures, it’s the perfect place for a masquerade party. Costumery encouraged, masks provided, all are welcome. There will be some free Conium Press swag, many of the authors will be selling and signing books, and “DJ No Requests” will be spinning records later in the evening.
Readings from Rita Bullwinkel, Charlie Brown, John Englehardt, Ashley Farmer, James R. Gapinski, Chelsea Harris, Liz Kellebrew, and Christine Texeira.
Learn more about the event on Facebook (and invite your friends!)
Chelsea Werner-Jatzke interviews Christine Texeira (contributor to The Conium Review: Vol. 3). Her work has also recently appeared in Moss. She currently works at the Hugo House in Seattle, and she is managing editor of Paragraphiti.
[Chelsea Werner-Jatzke]: What is Paragraphiti?
[Christine Texeira]: Currently it’s an online journal, but we’re about to release our first print issue. It was started by a fellow grad student at University of Notre Dame and is focused on international writers and artists. I’m the managing editor.
[CWJ]: Besides the journal, what else are you working on?
[CT]: I’m editing my graduate school thesis into a novel. It’s a series of stories that feel cohesive to me. One of them was published in Moss. It’s very much a novel of the Northwest. Lot’s of Sasquatch and D.B. Cooper.
[CWJ]: Both the story in Moss and the piece published by Conium are focused on strange sibling dynamics. What’s the deal?
[CT]: I was raised as an only child and had always wanted a sibling. There’s something about that relationship that I have no insight into. It’s like, because I can’t comprehend it I am trying to figure it out in writing. Later in life I discovered that I have an older brother that I’ve never met and I don’t think he knows I exist. Before that discovery I had always written characters that had siblings but it wasn’t the focus of the story. After that discovery I decided to focus on this obsession.
[CWJ]: At AWP I asked you if all your stories were so odd and you were like, “yeah pretty much.” Conium is a journal for experimental fiction, is all of your writing experimental in form or just bizarre in content?
[CT]: A lot of it is form. I become attached to strange bits of information and write about them. Then I begin to see how they can combine. I like to be surprised and am always looking for the funny and the scary that together create the strange. I don’t mean “surprised” or “scary” as in, horror stories. I mean I like to be surprised by my own narratives. To write to the place where I’m a bit afraid because I don’t know where the narrative will go, what the rules are. Then I go back and tame the story, edit a lot of that out.
[CWJ]: Can you describe your editing process?
[CT]: I typically write in sections that are titled and specific. They can have a wide variety in length. Then I cut entire pieces and see what’s left, how they fit together. I consider myself a short story writer but the pieces that I am editing into a novel right now feel unified.
[CWJ]: You have a Furnace reading coming up in 2016 and they publish longish, self-contained stories incorporating audio. What are you presenting for that?
[CT]: That is also a section of the novel, similarly self-contained as the Moss piece. It’s about Mortal Kombat. I’m partial to Mortal Kombat 4 since it’s what I grew up playing so I am going take recordings from that for the reading.
[CWJ]: Are you working anything outside of the novel?
[CT]: I’m writing other stories, not connected, about strange jobs.
[CWJ]: Like what?
[CT]: One is about a continuity editor for a porn production company in futuristic Seattle.
[CWJ]: Do you watch a lot of porn?
[CT]: No not really. I was talking to someone who works at Amazon writing descriptions or reviews or something, and I got to thinking about the job of someone who has to watch a lot of porn, what that would be like.
[CWJ]: Well there’s certainly room for improvement in the cinematic qualities of pornography.
[CT]: Yes, this production company believes porn could be so much more.
Look for more fiction from Christine Texeira to inspire the literary world and the hopefully the porn industry too. Visit her website at https://christinetexeira.wordpress.com and follow her on Twitter @xtinetexeira for more information.
The Review Review reviews The Conium Review‘s latest issue (yeah, there’s confusing number of “reviews” in that sentence).
In her review, Callie Feyen notes that many stories are “haunting,” and she says “the magazine allows different ways to tell a story.” She goes on to say “Whether the plot is deft, or deliciously lengthy, each story in the review provides remarkable characters, and situations to grapple with. A reader will be entertained and satisfied with the variety of storytelling while the writer will be encouraged and hopefully inspired.” Read the full piece at The Review Review website.
Join The Conium Review, Pacifica Literary Review, and Small Po[r]tions for an off-site AWP reading.
Location: Eat My Words Bookstore, 1228 2nd St NE, Minneapolis, MN 55413.
Time: 6:00pm to 8:00pm
Reading for The Conium Review are Christine Texeira (published in Vol. 3), Zach Powers (published in Vol. 3), and John Englehardt (winner of our 2014 Flash Fiction Contest and published in The Conium Review Online Compendium).
For Pacifica and Small Po[r]tions, readers including Caitlin Scarano, Kyle Ellingson, Terri Witek, Valerie Wernet, and Genevieve Kaplan.
A flyer for “Purple Haze Purple Rain,” an 2015 AWP Conference off-site reading.