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Vol. 5 Collector’s Edition is out now!

The big day is finally here. About two weeks after The Conium Review: Vol. 5 paperback hit shelves, the collector’s edition is ready to go out into the world.

As with previous collector’s editions, the contents are handcrafted with care. Each booklet has been designed to form an aesthetically cohesive collection of stories. The 3″ by 3.25″ booklets are printed with craft paper covers, a parchment title page, and linen inner pages. They are saddle bound and then tied together with natural hemp twine. Finally, there’s a wax seal that keeps the parcel together, and it’s deposited neatly into a little wooden box hand-stamped with archival ink. In total, there are eleven micro-chapbooks (one for each story in the issue) plus a little black booklet that contains copyright info, masthead details, and the table of contents.

In this collection, you’ll find new work from Jessica Roeder, Samantha Duncan, Liz Kellebrew, Kate Gies, Shane Jones, Kathryn Hill, Emily Koon, Jasmine Sawers, Ingrid Jendrzejewski, and Maryse Meijer. A woman falls in love with a giant banana, a tiny goat takes up residence in a woman’s left ventricle, a ghost tour goes awry, and more.

This box set will be shipped to contributors and a few of our bookstore and library partners first. Once those orders have gone out, the remaining copies of the collector’s edition will go up on our website for sale to the general public. This is a limited-run product, and we expect it to sell out. Be sure to check our online store regularly if you’re trying to snag a copy!

Vol. 5 Collector’s Edition Box Set Preview

The Conium Review: Vol. 5 paperback edition officially launched on December 15th. The Vol. 5 collector’s edition is slated for December 30th.

Like the Vol. 3 collector’s edition and the Vol. 4 collector’s edition, we’re loading up a wooden box with individual handmade objects. Each story will be represented as its own micro-chapbook.

This year’s box will actually be more box-ish than previous years (rather than resembling a wooden book). It’s roughly a 3.5-inch cube (not quite a cube — one side is around 4 inches — but close enough). It’s fitted with a metal latch and hinges. This box will be hand-stamped with the title, ISBN, and price.

Over the next few days, will show other pieces of the collector’s edition, leading up to its reveal and sale on December 30th. Stay tuned!

“The Conium Review: Vol. 5” cover

The Conium Review: Vol. 5 is slated for release on December 15th. Here’s a mock-up of the new issue’s cover. Like the last couple issues, the front is rather minimal while a larger image wraps around the back. Any guesses what those scraggly lines are? Answer: broken chain-link fence. Pre-orders for The Conium Review: Vol. 5 will go on sale this weekend!

"The Conium Review: Vol. 5" cover

“The Conium Review: Vol. 5” cover

Introducing the Vol. 5 authors

The Conium Review: Vol. 5 comes out later this year. We’ve finalized the table of contents, and we’re pleased to introduce the authors and stories slated for this issue:

  • “Birth,” by Jessica Roeder
  • “Copy Machine,” by Samantha Duncan
  • “The Solitude of Fruit,” by Liz Kellebrew
  • “Ruby Goes In,” by Kate Gies
  • “Gazebo,” by Shane Jones
  • “The Mother,” by Kathryn Hill (winner of the 2016 Innovative Short Fiction Contest)
  • “United Parcel Service,” by Emily Koon
  • “Tiny Little Goat,” by Jasmine Sawers
  • “Once Upon a Time in an Orchard,” by Jasmine Sawers
  • “Rain Cloud,” by Ingrid Jendrzejewski
  • “Her Blood,” by Maryse Meijer

ABOUT THE CONIUM REVIEW: VOL. 5 AUTHORS

Jessica Roeder lives in Duluth, Minnesota, where she teaches writing and dance. Her work has appeared in Threepenny Review, Third Coast, American Poetry Review, and elsewhere. She has received a Pushcart Prize and a McKnight Artist Fellowship.

Samantha Duncan‘s latest poetry chapbook is The Birth Creatures (Agape Editions, 2016), and her fiction has appeared in Meridian, The Pinch, and Flapperhouse. She serves as Executive Editor for ELJ Publications and reads for Gigantic Sequins, and she lives in Houston.

Liz Kellebrew holds an MFA in Creative Writing from Goddard College. She lives in Seattle and writes fiction, poetry, literary essays, and creative nonfiction. Her work has appeared in The Coachella Review, Elohi Gadugi, Mount Island, Vine Leaves, Section 8, The Pitkin Review, and Beyond Parallax.

Kate Gies lives in Toronto, where she writes and teaches creative non-fiction at George Brown College. Her work has most recently appeared in Word Riot and Ascent Aspirations Magazine.

Shane Jones is the author of the novels Light Boxes (Penguin, 2010), Daniel Fights a Hurricane (Penguin, 2012), and Crystal Eaters (Two Dollar Radio, 2014). Fiction and non-fiction has been published by VICE, The Paris Review Daily, Washington Square Review, LIT, The Portland Review, The Believer Logger, Quarterly West, and DIAGRAM. He lives in upstate New York.

Kathryn Hill is an MFA candidate in fiction at Arizona State University where she also reads prose for Hayden’s Ferry Review. Her flash fiction has appeared or is forthcoming at AGNI Online, Gigantic Sequins, Monkeybicycle, Passages North, and elsewhere. She has creative nonfiction forthcoming in an anthology from Outpost19. Follow her on Twitter at @kathelizhill

Emily Koon is a fiction writer from North Carolina. She has work in Potomac Review, The RumpusPortland Review and other places. She can be found at twitter.com/thebookdress.

Originally from Buffalo, New York, Jasmine Sawers now lives and writes in Lexington, Kentucky.

Ingrid Jendrzejewski likes cryptic crosswords, the game of go and the python programming language, among other things. Links to her work can be found at www.ingridj.com and she occasionally tweets from @LunchOnTuesday. Recently, she was awarded the A Room of Her Own Foundation’s Orlando Prize for Flash Fiction and the Bath Flash Fiction Award.

Maryse Meijer‘s work has appears in or at Joyland, Meridian, The Dallas Review, The Portland Review, St. Ann’s Review, 580 Split, and elsewhere. Her collection of stories, Heartbreaker, was published by FSG as part of their Paperback Originals series.