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Introducing the Vol. 5 authors

The Conium Review: Vol. 5 comes out later this year. We’ve finalized the table of contents, and we’re pleased to introduce the authors and stories slated for this issue:

  • “Birth,” by Jessica Roeder
  • “Copy Machine,” by Samantha Duncan
  • “The Solitude of Fruit,” by Liz Kellebrew
  • “Ruby Goes In,” by Kate Gies
  • “Gazebo,” by Shane Jones
  • “The Mother,” by Kathryn Hill (winner of the 2016 Innovative Short Fiction Contest)
  • “United Parcel Service,” by Emily Koon
  • “Tiny Little Goat,” by Jasmine Sawers
  • “Once Upon a Time in an Orchard,” by Jasmine Sawers
  • “Rain Cloud,” by Ingrid Jendrzejewski
  • “Her Blood,” by Maryse Meijer

ABOUT THE CONIUM REVIEW: VOL. 5 AUTHORS

Jessica Roeder lives in Duluth, Minnesota, where she teaches writing and dance. Her work has appeared in Threepenny Review, Third Coast, American Poetry Review, and elsewhere. She has received a Pushcart Prize and a McKnight Artist Fellowship.

Samantha Duncan‘s latest poetry chapbook is The Birth Creatures (Agape Editions, 2016), and her fiction has appeared in Meridian, The Pinch, and Flapperhouse. She serves as Executive Editor for ELJ Publications and reads for Gigantic Sequins, and she lives in Houston.

Liz Kellebrew holds an MFA in Creative Writing from Goddard College. She lives in Seattle and writes fiction, poetry, literary essays, and creative nonfiction. Her work has appeared in The Coachella Review, Elohi Gadugi, Mount Island, Vine Leaves, Section 8, The Pitkin Review, and Beyond Parallax.

Kate Gies lives in Toronto, where she writes and teaches creative non-fiction at George Brown College. Her work has most recently appeared in Word Riot and Ascent Aspirations Magazine.

Shane Jones is the author of the novels Light Boxes (Penguin, 2010), Daniel Fights a Hurricane (Penguin, 2012), and Crystal Eaters (Two Dollar Radio, 2014). Fiction and non-fiction has been published by VICE, The Paris Review Daily, Washington Square Review, LIT, The Portland Review, The Believer Logger, Quarterly West, and DIAGRAM. He lives in upstate New York.

Kathryn Hill is an MFA candidate in fiction at Arizona State University where she also reads prose for Hayden’s Ferry Review. Her flash fiction has appeared or is forthcoming at AGNI Online, Gigantic Sequins, Monkeybicycle, Passages North, and elsewhere. She has creative nonfiction forthcoming in an anthology from Outpost19. Follow her on Twitter at @kathelizhill

Emily Koon is a fiction writer from North Carolina. She has work in Potomac Review, The RumpusPortland Review and other places. She can be found at twitter.com/thebookdress.

Originally from Buffalo, New York, Jasmine Sawers now lives and writes in Lexington, Kentucky.

Ingrid Jendrzejewski likes cryptic crosswords, the game of go and the python programming language, among other things. Links to her work can be found at www.ingridj.com and she occasionally tweets from @LunchOnTuesday. Recently, she was awarded the A Room of Her Own Foundation’s Orlando Prize for Flash Fiction and the Bath Flash Fiction Award.

Maryse Meijer‘s work has appears in or at Joyland, Meridian, The Dallas Review, The Portland Review, St. Ann’s Review, 580 Split, and elsewhere. Her collection of stories, Heartbreaker, was published by FSG as part of their Paperback Originals series.

Introducing our new fiction editors

We’re pleased to formally announce our four newest staff members: Holly Lopez, Meredith Maltby, Marina Petrova, and William VanDenBerg! They’ve already begun reading submissions and have proven themselves valuable members of The Conium Review team.

Holly Lopez is a recent graduate of the MFA program at Queens University of Charlotte. Her work has appeared in Plots With Guns, Charlotte Viewpoint, and Choose Wisely: 35 Women Up To No Good. She is also the recipient of the 2012 Marjorie Blankenship Melton Award in Fiction. As an editor, she appreciates when writers subvert expectations and produce stories that are fresh and unconventional. She’s most interested in strange stories that also have dimension, red-blooded characters, and effectively tap into the human condition. Some of her favorite authors include George Saunders, Donald Barthelme, Aimee Bender, Kelly Link, and Karen Russell.

Meredith Maltby is the poetry editor for the Tulane Review and was a featured poet at Design Cloud Chicago’s HERE / NOW event. Meredith has previously published her work in McSweeney’s Internet Tendency, The Chicago Tribune, ROAR: a literary journal for women of the arts, and Gravel Journal, among others. She appreciates interesting and strange writing from underrepresented voices. She admires and is influenced by Amelia Gray’s Gutshot, Lincoln Michel’s Upright Beasts, Flannery O’Connor’s Wise Blood, Bonnie Campell’s Mothers Tell Your Daughters, and anything by Ariana Reines or Melissa Broder.

Marina Petrova was published in The Conium Review: Vol. 4, and when we posted our call for editors, she was eager to get more involved with our small press. She graduated from the MFA program at The New School in May 2014, where she had previously served as a reader for LIT. Her work has appeared in The Brooklyn Rail, The Los Angeles Review of Books, Underwater New York, and Calliope Anthology. She’s currently working on a collection of short stories. In her non-writing life, she also works as a Business Analyst for a Media Tech company. Marina is a native Russian speaker, and growing up she was influenced by Chekhov, Nabokov, and Bulgakov. More recently, she’s become a huge fan of Donald Barthelme, Italo Calvino, Ben Marcus, Junot Díaz, and George Saunders.

William VanDenBerg is a first year MFA student at Brown University. He is the author of two chapbooks: Lake of Earth from Caketrain Press and Apostle Islands from Solar Luxuriance—he’ll be signing copies of these chapbooks at our AWP Conference table in Los Angeles (table #1238). He loves the work of Donald Barthelme, Ann Quin, Lindsay Hunter, Amelia Gray, and Steven Millhauser.

Visit masthead page to learn more about these editors and the rest of our staff.