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Our 2015 “Best of the Net” Nominees

We’ve submitted our 2015 nominations for the Sundress Publications anthology, Best of the Net. This year’s nominees are Benjamin Allocco’s “Spider and John Englehardt’s “This Is Great But You Don’t Need It.”

Benjamin Allocco lives and teaches in Upstate New York. His work has been published in The Fanzine, The Conium Review, Fiction Southeast, and Prick of the Spindle.

Follow him on Twitter @benjaminallocco.

John Englehardt has an MFA in fiction from the University of Arkansas. He won the 2014 Wabash Prize in Fiction, and his work has been published in Sycamore Review, The StrangerThe James Franco Review, The Monarch Review, and Monkeybicycle. Currently, he edits fiction for Pacifica Literary Review, and is a fellow at The Richard Hugo House in Seattle.

Naturally, this was a tough decision. There were many deserving pieces published on our site in the past year. In fact, we arrogantly think our whole damn website deserves anthologization or some sort of prize (we can provide a gold-medal-sized SASE upon request). Two other favorites that were heavily considered for nomination are Ingrid Jendrzejewski’s “The Box of Skinny Women and Jinny Koh’s “Fish Head.”

“Appendix U,” by Sarah Ann Winn

Moth Sketch

Fig. 1780: Moth pinned to cork board, wings pattern of dictionary’s page, some words bolded. They say her finely inked wings are composed of scales. They say she will not fly again once you touch her, that the words are permanently changed.

Fig. 1811: A marred fallen leaf, the spectrum of apple colors. The page where small jaws gnawed a name.

About the Author:

Sarah Ann Winn’s poems have appeared or will appear in Bayou Magazine, [d]ecember, RHINO, Massachusetts Review, Quarterly West, and many others. Her chapbook, Portage, is forthcoming from Sundress Publications this winter. Visit her at http://bluebirdwords.com or follow her @blueaisling on Twitter.

Special Note:

This story was a semifinalist in The Conium Review‘s 2014 Flash Fiction Contest, judged by Ashley Farmer.

Image Credit: © macrovector / Dollar Photo Club

“Murmuration,” by Jan LaPerle

Bed

Anne was a child still when her mother, Helen, fell terribly ill. At a time when she was barely able to tie a shoe, she became a mother of her mother. Anne brought Helen food on a flowered tray. Evenings, after her own bath, she filled a bucket with her soiled water to wash her mother with a sponge. She rode the school bus. Shortly after the sickness began, Anne cancelled her flute lessons, stopped showing to ballet. While the other girls and boys were making college visits, she was turning corners with grocery bags in her bicycle basket.

Anne eased her mother, step-by-step, when Helen wished to move between rooms. As slow as their movements grew, time seemed to quicken. Anne celebrated twenty birthdays: one after another, it seemed, like buttons slipping through their holes. Longer than a long marriage the two lived together. Anne blossomed into her middle age without notice; Helen faded along beside the furniture cushions. Anne left the house less and less, and the bricks along the front path began to loosen, to turn.

Some time in Anne’s early forties Mike moved in across the street. He mowed the yard without a shirt. The sun darkened his skin. He liked to watch the starlings above their two houses move as a flock, each bird turning with the others (this turning, he saw it everywhere). Anne watched him watch, unable from inside to see what it was he was witnessing. Evenings, from a dark house, Mike watched Anne move across the yellow windows, back and forth, back and forth, everything so quiet: waiting, watching, dying. The trees, they hushed.

Anne and Helen’s mailbox door hung open. Mike repaired the latch. He tucked the bricks into the ground and slowly (weeks it took) made it to the door. And there, at last, when Anne opened it for him, they felt it as a gush, a current, a turning, and they could hardly stand against it. Yet when he asked, she said no (Helen in the background stomping her old foot against the hardwood).

Anne and Mike were consistent – him with offers, her with refusals. None of this weakened their need. Helen, gray as a cloud, understood; she tightened her hold. Anne grew tense. She scrubbed her mother’s skin with a sponge until the skin bled. Dishes fell from her hands. She ironed the sheets so stiff it was painful to sleep upon them. Across the street, Mike mourned, turned in bed all night. He drank hard liquor until he felt as empty and hard as the street between them.

One night Mike erupted. He loaded himself into his red pickup, the gas pedal hard against the floorboard. He hit the mailbox first, turned, sped up the brick path, over the bushes, the flowers asleep in their beds. The front end of Mike’s truck entered Anne’s bedroom through the wall. The headlamps lit her small room. Her bed slid. The headboard cracked in two.

If Anne had been dreaming of him, she dreams of him still. A dream we hope does not end with his weeping, crawling through the shattered glass, bleeding beside her in her bed. He kept her body from growing cold too quickly, as long as he could. Down the long hall Helen never heard the crash, but she could feel it – the chill as it tried to find her, knocking, turning, pounding, rattling every last knob.

About the Author:

Jan LaPerle lives in east Tennessee with her husband, Clay Matthews, and her daughter, Winnie. She teaches at Tennessee’s oldest college, Tusculum College. She has published a book of poetry, It Would Be Quiet (Prime Mincer Press, 2013), and an e-chap of flash fiction, Hush (Sundress Publications 2012), and several other stories and poems. She recently won an individual artist grant from the Tennessee Arts Commission.

Special Note:

Jan LaPerle was a finalist in our 2014 Innovative Short Fiction Contest, judged by Manuel Gonzales.