This year at AWP, we’re going all out. The conference is coming to The Conium Review‘s home city of Portland, OR. We’re doing an event every night of the conference, starting with “Books & Brass: An Evening of Prose, Poetry, and Live Jazz” on Thursday, March 28th. Next, we’re hosting a “Literary Masquerade” on Friday, March 29th. Finally, we’re pleased to announce the lineup for our final event, “The Northwest Micropress Fair After Party” on Saturday, March 30th. This particular event follows the Northwest Micropress Fair, which is an independently organized book fair held in the Cleaners at the Ace Hotel. We’ll be tabling at this micropress fair and we’ll also have a booth at the main AWP Conference bookfair. We’ll be selling books and doing author signings at each location.
About the Event
The After Party officially begins at 7:30 when the doors of the Cleaners at the Ace Hotel reopen for business. The readings start at 8:00pm, with music to follow and a cash bar available. The Northwest Micropress Bookfair and After Party includes a ton of presses, including Presses and producers include: Entre Ríos Books, Scablands Books, Chin Music Press, Page Boy Magazine, Sage Hill Press, SPLAB, Short Run Seattle, Blue Cactus Press, Frontera Magazine, Margin Shift Reading Series, Cadence Video Poetry Festival / Northwest Film Forum, Till Writers, Ravenna Press, StringTown Press, Papeachu Press, Rhododo Press, Coast | No Coast, Winter Texts, Crab Creek Review, Poetic Games, Not a Pipe Publishing, Cascadia Rising Review, The Conium Review, Arq Press, Overcup Press, and Floating Bridge Press.
This will be a big event on the final night of the conference. Don’t miss it! Reading for The Conium Review are TJ Fuller, Chelsea Harris, and Simone Person. Find this event on Facebook.
About the Readers
TJ Fuller writes and teaches in Portland, Oregon. His fiction has appeared in Hobart, Vol. 1 Brooklyn, Jellyfish Review, and elsewhere. He won the 2017 Flash Fiction Contest at The Conium Review.
Chelsea Harris has appeared in The Portland Review, Literary Orphans, The Conium Review, Grimoire, and Smokelong Quarterly, among others. She received her MFA from Columbia College Chicago and currently lives in Washington State.
Simone Person is the author of Dislocate, the winner of the 2017 Honeysuckle Press Chapbook Contest in Prose, and Smoke Girl, the winner of the 2018 Diode Editions Chapbook Contest in Poetry. She grew up in small Michigan towns and Toledo, Ohio and is a dual MFA/MA student at Indiana University in Fiction and African American and African Diaspora Studies. In 2018, Simone became the Prose Editor for Honeysuckle Press. She sporadically, and to varying degrees of success, uses Twitter and Instagram at @princxporkchop.
The Conium Review: Vol. 5 comes out later this year. We’ve finalized the table of contents, and we’re pleased to introduce the authors and stories slated for this issue:
- “Birth,” by Jessica Roeder
- “Copy Machine,” by Samantha Duncan
- “The Solitude of Fruit,” by Liz Kellebrew
- “Ruby Goes In,” by Kate Gies
- “Gazebo,” by Shane Jones
- “The Mother,” by Kathryn Hill (winner of the 2016 Innovative Short Fiction Contest)
- “United Parcel Service,” by Emily Koon
- “Tiny Little Goat,” by Jasmine Sawers
- “Once Upon a Time in an Orchard,” by Jasmine Sawers
- “Rain Cloud,” by Ingrid Jendrzejewski
- “Her Blood,” by Maryse Meijer
ABOUT THE CONIUM REVIEW: VOL. 5 AUTHORS
Jessica Roeder lives in Duluth, Minnesota, where she teaches writing and dance. Her work has appeared in Threepenny Review, Third Coast, American Poetry Review, and elsewhere. She has received a Pushcart Prize and a McKnight Artist Fellowship.
Samantha Duncan‘s latest poetry chapbook is The Birth Creatures (Agape Editions, 2016), and her fiction has appeared in Meridian, The Pinch, and Flapperhouse. She serves as Executive Editor for ELJ Publications and reads for Gigantic Sequins, and she lives in Houston.
Liz Kellebrew holds an MFA in Creative Writing from Goddard College. She lives in Seattle and writes fiction, poetry, literary essays, and creative nonfiction. Her work has appeared in The Coachella Review, Elohi Gadugi, Mount Island, Vine Leaves, Section 8, The Pitkin Review, and Beyond Parallax.
Kate Gies lives in Toronto, where she writes and teaches creative non-fiction at George Brown College. Her work has most recently appeared in Word Riot and Ascent Aspirations Magazine.
Shane Jones is the author of the novels Light Boxes (Penguin, 2010), Daniel Fights a Hurricane (Penguin, 2012), and Crystal Eaters (Two Dollar Radio, 2014). Fiction and non-fiction has been published by VICE, The Paris Review Daily, Washington Square Review, LIT, The Portland Review, The Believer Logger, Quarterly West, and DIAGRAM. He lives in upstate New York.
Kathryn Hill is an MFA candidate in fiction at Arizona State University where she also reads prose for Hayden’s Ferry Review. Her flash fiction has appeared or is forthcoming at AGNI Online, Gigantic Sequins, Monkeybicycle, Passages North, and elsewhere. She has creative nonfiction forthcoming in an anthology from Outpost19. Follow her on Twitter at @kathelizhill
Emily Koon is a fiction writer from North Carolina. She has work in Potomac Review, The Rumpus, Portland Review and other places. She can be found at twitter.com/thebookdress.
Originally from Buffalo, New York, Jasmine Sawers now lives and writes in Lexington, Kentucky.
Ingrid Jendrzejewski likes cryptic crosswords, the game of go and the python programming language, among other things. Links to her work can be found at www.ingridj.com and she occasionally tweets from @LunchOnTuesday. Recently, she was awarded the A Room of Her Own Foundation’s Orlando Prize for Flash Fiction and the Bath Flash Fiction Award.
Maryse Meijer‘s work has appears in or at Joyland, Meridian, The Dallas Review, The Portland Review, St. Ann’s Review, 580 Split, and elsewhere. Her collection of stories, Heartbreaker, was published by FSG as part of their Paperback Originals series.