The Conium Review: Vol. 6 comes out in December, 2017. We’ve finalized the table of contents, and we’re pleased to introduce the authors and stories slated for this issue:
- “Ramune,” by Tamara K. Walker
- “Holy Water,” by Jay Vera Summer
- “Something Like Feeling,” by Matt Kirkpatrick
- “A Hunger,” by Rebekah Bergman
- “I Am Me,” by Kevin Finucane (winner of the 2017 Innovative Short Fiction Contest)
- “Time Travel for Beginners,” by Stephanie Wang
- “Maurice,” by Simone Person
- “Naming Maura Maura,” by Rachel Lyon
- “Extraterrestrial Science,” by J. L. Montavon
ABOUT THE CONIUM REVIEW: VOL. 6 AUTHORS
Tamara K. Walker resides in Colorado and writes short fiction and poetry, often of a surreal, irreal, magical realist, experimental, speculative or otherwise unusual nature. Her fiction has previously appeared in The Cafe Irreal, A cappella Zoo, Melusine, Peculiar Mormyrid, ink&coda, Three Minute Plastic, and others. Her poetry has appeared or is forthcoming in Star*Line, Lavender Review, Scifaikuest, and indefinite space, among others. Her short story, “Camisole”, which appeared in The Conium Review: Vol. 4, was a 2015 Pushcart Prize nominee. She may be found online at http://tamarakwalker.weebly.com
Jay Vera Summer is a Chicagoan living in Florida. She writes fiction and creative nonfiction, and co-founded weirderary, an online literary magazine, and First Draft, a monthly live literary event in Tampa. Her writing has been published in marieclaire.com, Proximity, LimeHawk, theEEEL, and Chicago Literati.
Matthew Kirkpatrick is the author of Diary of a Pennsylvania Farmer (Throwback Books, forthcoming), The Exiles (Ricochet Editions), and Light Without Heat (FC2). His fiction and essays have appeared in The Rumpus, The Common, Puerto del Sol, Denver Quarterly, Believer Logger, Notre Dame Review, and elsewhere. His audio collage and hypertext, “The Silent Numbers” is anthologized in the Electronic Literature Collection, Volume 3, and was part of the “Shapeshifting Texts” exhibit at the University of Bremen. He is an assistant professor at Eastern Michigan University where he teaches fiction and new media writing.
Rebekah Bergman’s fiction has been published or is forthcoming in Hobart, Joyland, Passages North, Poor Claudia, Two Serious Ladies, and The Nashville Review, among other journals. She holds an MFA from The New School and is a contributing editor of NOON.
Kevin Finucane was awarded a bronze Solas Award by Travelers’ Tales in creative nonfiction in 2009 and was named a Finalist for the Faulkner-Wisdom Competition in the novella category for 2010.
Stephanie Wang is a Beijing-born Australian writer currently living in Melbourne. She can travel in time, but only in one direction. She is currently working on a novel.
Simone Person grew up in small Michigan towns and Toledo, Ohio. She is a dual MFA/MA in Fiction and African American and African Diaspora Studies at Indiana University. Her work has appeared in Queen Mob’s Teahouse and Puerto del Sol, among others, and has been anthologized in Crab Fat Magazine: Best of Year Three. Her chapbook is a semifinalist selection for Honeysuckle Press’s 2017 Chapbook Contest. She occasionally uses Twitter and Instagram at @princxporkchop.
Rachel Lyon‘s debut novel Self-Portrait with Boy is forthcoming from Scribner in February 2018. Her short work has appeared in Joyland, Iowa Review, McSweeney’s, and other publications. Rachel teaches for Sackett Street Writers Workshop, Catapult, and elsewhere and is a cofounder of the reading series Ditmas Lit in her native Brooklyn. Visit her at www.rachellyon.work.
J. L. Montavon was born and raised in Denver and lives in San Francisco. Her story “Recursions” was chosen by Joan Wickersham as the winner of the 2016 Salamander Fiction Prize.
The Conium Review: Vol. 5 comes out later this year. We’ve finalized the table of contents, and we’re pleased to introduce the authors and stories slated for this issue:
- “Birth,” by Jessica Roeder
- “Copy Machine,” by Samantha Duncan
- “The Solitude of Fruit,” by Liz Kellebrew
- “Ruby Goes In,” by Kate Gies
- “Gazebo,” by Shane Jones
- “The Mother,” by Kathryn Hill (winner of the 2016 Innovative Short Fiction Contest)
- “United Parcel Service,” by Emily Koon
- “Tiny Little Goat,” by Jasmine Sawers
- “Once Upon a Time in an Orchard,” by Jasmine Sawers
- “Rain Cloud,” by Ingrid Jendrzejewski
- “Her Blood,” by Maryse Meijer
ABOUT THE CONIUM REVIEW: VOL. 5 AUTHORS
Jessica Roeder lives in Duluth, Minnesota, where she teaches writing and dance. Her work has appeared in Threepenny Review, Third Coast, American Poetry Review, and elsewhere. She has received a Pushcart Prize and a McKnight Artist Fellowship.
Samantha Duncan‘s latest poetry chapbook is The Birth Creatures (Agape Editions, 2016), and her fiction has appeared in Meridian, The Pinch, and Flapperhouse. She serves as Executive Editor for ELJ Publications and reads for Gigantic Sequins, and she lives in Houston.
Liz Kellebrew holds an MFA in Creative Writing from Goddard College. She lives in Seattle and writes fiction, poetry, literary essays, and creative nonfiction. Her work has appeared in The Coachella Review, Elohi Gadugi, Mount Island, Vine Leaves, Section 8, The Pitkin Review, and Beyond Parallax.
Kate Gies lives in Toronto, where she writes and teaches creative non-fiction at George Brown College. Her work has most recently appeared in Word Riot and Ascent Aspirations Magazine.
Shane Jones is the author of the novels Light Boxes (Penguin, 2010), Daniel Fights a Hurricane (Penguin, 2012), and Crystal Eaters (Two Dollar Radio, 2014). Fiction and non-fiction has been published by VICE, The Paris Review Daily, Washington Square Review, LIT, The Portland Review, The Believer Logger, Quarterly West, and DIAGRAM. He lives in upstate New York.
Kathryn Hill is an MFA candidate in fiction at Arizona State University where she also reads prose for Hayden’s Ferry Review. Her flash fiction has appeared or is forthcoming at AGNI Online, Gigantic Sequins, Monkeybicycle, Passages North, and elsewhere. She has creative nonfiction forthcoming in an anthology from Outpost19. Follow her on Twitter at @kathelizhill
Emily Koon is a fiction writer from North Carolina. She has work in Potomac Review, The Rumpus, Portland Review and other places. She can be found at twitter.com/thebookdress.
Originally from Buffalo, New York, Jasmine Sawers now lives and writes in Lexington, Kentucky.
Ingrid Jendrzejewski likes cryptic crosswords, the game of go and the python programming language, among other things. Links to her work can be found at www.ingridj.com and she occasionally tweets from @LunchOnTuesday. Recently, she was awarded the A Room of Her Own Foundation’s Orlando Prize for Flash Fiction and the Bath Flash Fiction Award.
Maryse Meijer‘s work has appears in or at Joyland, Meridian, The Dallas Review, The Portland Review, St. Ann’s Review, 580 Split, and elsewhere. Her collection of stories, Heartbreaker, was published by FSG as part of their Paperback Originals series.
The lab technician said it was his first day on the job. He was joking, of course, as he drew vials of my blood. The needle poked in my vein. The red oozed through a long, plastic tube and filled the glass. He sealed and labeled each vile with a sticker drenched in black numbers. My blood surprised me; it looked strong. It made me confident. Like I can do this. I can live. I can survive. I can have a baby.
“Do I get a Hello Kitty Band Aid?” I said, trying to be funny too, like him, grateful he didn’t spill my blood on the floor. Just then I heard myself and remembered I’m a blueprint for how not to raise a child. Where do I begin?
It had been ten years since anyone had taken blood from me. It never occurred to me to take care of myself. Blood tests weren’t on my radar. My gynecologist had insisted. She was pissed, even. How could anyone let me go this long and who was my general practitioner and what was she thinking?
“I’m from the Philippines, not Japan,” the guy tells me, but he’d already explained where he was from, how he came here young, joined the marines, and that his time as a combat medic prepared him for a career as a “5AM vampire.” Another joke, of course. “Men with no legs, from bombs. It was gross.” The word came out sloppy, like he had soup in his mouth. “Now I get here at five in the morning and suck blood,” he said, filled and sealed another vile.
My arm began to ache. I felt the bruising. “It hurts.”
“Are you having surgery?”
I shook my head. “Why? Should I?”
“This much blood. Why not?”
This morning all I could think about were my ovaries and whether my husband’s sperms were making ground, like good soldiers, charging up the fallopian tube and busting through the shell. In my mind the vampire could fly. He had wings. He could hunt and kill in the moonlight, under a bridge; he’d lay down his prey and drain the body until it was stiff and cold. He’d stay young forever.
But we are worriers, not warriors. My husband swears he will rip in half the day he hears his baby cry.
I don’t march or charge or win. I play. I drink moon juice and leap from star to star. This is the most real thing I’ve ever done. Now I feel old, but I take it as a sign of strength. I can read it in my blood. It’s regenerating.
The lab technician assures me this was easy, everything was easy, in comparison to what he’s seen. He points to the wound, how it’s already closed, and I reach up and pull apart a cloud.
About the Author:
Andrea Arnold’s writing has appeared in places like Electric Literature, The Rumpus, The Nervous Breakdown and as scripts on Travel Channel. She also edited The Craft: Essays on Writing from the Yale Writers’ Conference Faculty for Elephant Rock Books. She’s currently busy with edits on her novel. She has an MFA from USC, a JD from Chicago-Kent, and a BA in English from GWU. She lives and surfs in Santa Monica, CA. For more info please visit www.andrea-arnold.com.
Image Credit: © dule964 – stock.adobe.com
Lauren Hall (contributor to The Conium Review: Vol. 1, No. 1) was published in Two Peach. Read her story, “The Forest,” here.
Lauren’s work has also appeared in NANO Fiction, The Rumpus, Cleaver, The Lascaux Review, among others. Find more info on her website.
Last year’s flash contest was judged by Laura Ellen Joyce, and she chose Caitlin Scarano as the winner. We’re looking forward to unveiling the micro-chap for Caitlin Scarano’s winning story, “Pitcher of Cream,” at the upcoming AWP Conference in Los Angeles.
So we don’t want to completely steal Caitlin’s glory here, but we’ve be aching to tell you that Leesa Cross-Smith will be the 2016 Flash Fiction Contest judge!
Leesa is the author of Every Kiss a War, and she’s co-editor of WhiskeyPaper. Her work has appeared in SmokeLong Quarterly, Little Fiction, Hobart, NANO Fiction, Monkeybicycle, Juked, Word Riot, Sundog Lit, The Rumpus, and tons of other places. Check out Leesa’s website for more information on her work.
The Conium Review 2016 Flash Fiction Contest is open for submissions from October 1st to December 1st. The winner receives $300, online publication, publication as a broadside or micro-chap, and a copy of the judge’s book. Full guidelines are already available here.
We’re glad to have Leesa Cross-Smith as the judge, and we hope you’ll submit some fantastic flash to this contest. If you want to stay informed about this and other opportunities at The Conium Review, you can sign up for our e-mail newsletter here (we don’t spam you; just one e-mail per month with an easy unsubscribe link at the bottom).