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Melissa Reddish has finished reading the “Fragmented” submissions, and she’s selected Brian Phillip Whalen‘s “And It Will be Called the Highway of Holiness” for publication.
Melissa said Brian’s story “is part-hymn, part-celebration, part-dirge for Georgia, poor pup with staples in her gut who eats everything, babies and tinsel and foxes and trikes and Christmas trees, until her inevitable end. The people who orbit around Georgia have a particular feel: blue-collar rural Americans with F-150 flat-bed trucks and tractors and percolators and steel wool under cupboards, each battling their own particular demons.” She goes on to say that the story is “More circular than linear, more poetry than prose, the piece skips and glides with linguistic playfulness and clever asides, the format fragmenting then reassembling, creating meaning even as it dismantles it, all while retaining the emotional heart at the center.”
Themed Call for Submissions: “Fragmented”
Guest Edited by Melissa Reddish
General Information
This themed call for submissions celebrates the August 15th, 2016 release of Girl & Flame, by Melissa Reddish. Girl & Flame is told in a series of fragmented chapters and splintery sentences, following a girl’s struggle to find herself after a devastating fire. It’s a book of fragments, both structurally and emotionally. The “Fragmented” theme plays off that idea. You may interpret this theme broadly, but it should include some form of fragmentation.
Melissa Reddish will select one piece for publication as a limited-run micro-chapbook. This special micro-chap will be sent out as a pre-order bonus for Girl & Flame while supplies last. This is a unique chance to see your flash fiction as a standalone piece, handmade by Conium Press and distributed alongside Melissa’s book on August 15th, 2016. The chosen author will also will receive complimentary printed copy of Girl & Flame. Of course, we think you should still pre-order Girl & Flame; if your piece is selected for publication, you can always give your free copy to a friend or donate it to a library.
If you are a family member, coworker, or student of the guest editor, we ask that you do not submit to this theme. Please consider one of our other submission categories instead.
Conium Press acquires first print rights, and we retain the right to nominate for anthology publication and awards. Reprint rights and all other applicable rights revert to the author upon publication.
Submission Deadlines
This theme is open for submissions from July 1st, 2016 through July 15th, 2016. Please submit all work using our Submittable page.
Submission Guidelines
We’re seeking fiction under 2,000 words on the theme “Fragmented.” The guest editor may choose to make a word-count exception for an outstanding piece, but you’ll have much better odds of publication you stay under 2,000 words.
Conium Press leans toward innovative writing, and themed calls for submissions are no exception. Send us stories that take risks. Experiment with character, structure, or plot. Get weird with it.
You may only submit one piece to this theme, so chose wisely. Multiple submissions will be deleted.
In the “Biography Statement” field, please include a brief third-person bio. If your work is accepted for publication, your bio appears alongside your story in the micro-chapbook.
You may use the “Notes to Guest Editor” section to explain your take on the “Fragmented” theme (this is optional, so don’t bother if it’s already self-explanatory). For the most part, we recommend submitting work where the theme plays a central role in the story, but the guest editor is also open to abstract interpretations.
Submissions must be unpublished, original work. Simultaneous submissions are allowed, but you must withdraw your story immediately if it is accepted elsewhere.
Thank you for submitting!
About the Guest Editor

Melissa Reddish’s short story collection, My Father is an Angry Storm Cloud, was published by Tailwinds Press in 2015. Her flash fiction chapbook, The Distance Between Us, was published by Red Bird Chapbooks in 2013. Her work has appeared in decomP, Prick of the Spindle, and Northwind, among others. Melissa teaches English and directs the Honors Program at Wor-Wic Community College.
When not teaching or writing, Melissa does stereotypical Eastern Shore things, like eating seafood smothered in Old Bay and playing fetch with her black Lab.
Melissa’s black Lab is named Blue.
Blue is a good dog.
Praise for Girl & Flame
- “Melissa Reddish’s latest tour de force, Girl & Flame, is a haunting flash novella/verse-narrative that blends magical realism and psychological drama into a startling love story about madness that is, at turns, both crude and courtly.” –Laura Ellen Scott, author of The Juliet and Death Wishing
- “Short sharp fragments of flame build an entire world that is hard to look away from. Reddish’s prose dazzles and burns. It’s a fire that’s impossible to ignore. Girl & Flame reverberates with danger and foreboding, masked in an expert language that only Reddish can harness.” –Sarah Rose Etter, author of Tongue Party
- “A blowtorch of modern death and rebirth, Girl & Flame tries to contain ‘the girl who burned her father, brother, lover’ and the animistic fire that snaps and pops within. Reddish has forged an incendiary and highly readable hybrid prose. Keep the fire extinguisher handy.” –Mel Bosworth, author of Freight and co-author of Camouflage Country